Ernesto Cervini, CD Release, JOY
Nov
4
8:00 PM20:00

Ernesto Cervini, CD Release, JOY

I’m thrilled to be joining my brother, Ernesto Cervini, on the Ontario tour to celebrate the release of his latest album, JOY. Listen to it here.

Amy Cervini - Voice, Tara Davidson - Alto Saxophone, Kelly Jefferson - Tenor Saxophone, Christian Overton - Trombone, Adrean Farrugia - Piano, Dan Fortin - Bass, Ernesto Cervini - drums

Get your tickets here!

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Ernesto Cervini, CD Release, JOY
Nov
2
7:30 PM19:30

Ernesto Cervini, CD Release, JOY

I’m so excited to be joining my brother, Ernesto Cervini on his CD Release concerts in Ontario. Check out the new album here.

Featuring:
Amy Cervini - vocals, Tara Davidson - Alto Saxophone, Kelly Jefferson - Tenor Saxophone, Christian Overton - Trombone, Adrean Farrugia - Piano, Dan Fortin - Bass, Ernesto Cervini - Drums

Get your tickets now!

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Career Checkup: California Jazz Conservatory (online)
May
15
3:00 PM15:00

Career Checkup: California Jazz Conservatory (online)

Vocalist, label owner and manager Amy Cervini will outline concrete steps to ensure you are on track in your career and have all the tools you need to move forward. We’ll discuss fan engagement, websites, and other online assets, merchandise, social media, networking, and more. You will leave this workshop with a list of things you can do to further engage with your fans and move your career forward. Open to all! Register here.

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ANAT COHEN & THE NEWPORT ALL-STARS SALUTE GEORGE WEIN
Nov
20
7:30 PM19:30

ANAT COHEN & THE NEWPORT ALL-STARS SALUTE GEORGE WEIN

Pianist and bandleader George Wein, who founded the Newport Jazz Festival in 1954, is universally regarded as the single greatest producer and impresario jazz has ever known. (Music festivals like SxSW and Coachella owe him a great deal as well.)

Join us as we honor and celebrate George, who recently passed at the age of 95. This all-star concert will feature contemporary swing saxophonist and clarinetist Anat Cohen, along with special guests including Christian McBride, Kenny Barron, Johnathan Blake, Randy Brecker, Lew Tabackin, Peter Washington, Duchess and more. This is sure to be one of the most memorable nights in the history of jazz at NJPAC, and a fitting tribute to the life and legacy of George Wein. Tickets and details available here.

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Duchess performs the Jewish American Songbook
Jul
31
7:30 PM19:30

Duchess performs the Jewish American Songbook

We’re returning to Atlanta to perform a program of the Jewish American Songbook. This show was originally slated for March 12, 2020…and we all know what happened then! We’re thrilled to be able to share this music with our friends at Neranenah Concert and Culture Series.

Tickets and details available here.

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Duchess at Atlanta Jewish Music Festival
Mar
12
7:30 PM19:30

Duchess at Atlanta Jewish Music Festival

  • Rich Theatre at Woodruff Arts Center (map)
  • Google Calendar ICS

CANCELLED DUE TO COVID-19

Duchess performs an evening of jazz standards and lesser-known Great American Songbook gems composed by Jewish American composers at our Atlanta, GA debut.

Featuring Michael Cabe (piano), Robby Handley (bass), and Justin Chesarek (drums). Tickets and more details available HERE.

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Duchess performs "Company B" with Paul Taylor Dance Company
Nov
15
8:00 PM20:00

Duchess performs "Company B" with Paul Taylor Dance Company

Get your tickets here.

Just as America began to emerge from the Depression at the dawn of the 1940s, the country was drawn into the Second World War. In a seminal piece of Americana, Paul Taylor recalls that turbulent era through the hit songs of the Andrews Sisters. Although the songs depict a nation surging with high spirits, millions of men were bidding farewell to wives or girlfriends and many would never return from battle. The dance focuses on such poignant dualities. Young lovers lindy, jitterbug and polka in a near manic grasp for happiness while in the background shadowy figures – soldiers – fall dead. Among the sections of the dance, the one choreographed to “Boogie Woogie Bugle Boy (of Company B)” is carefree until the moment the bugler is shot; the one set to “I Can Dream, Can’t I?” tells of a young lady’s affections for a soldier an ocean away who, for his part, reaches out to a comrade in arms. The dance ends just as it began, with “Bei Mir Bist du Schön” – but the world has clearly changed. “Evokes the exuberant rhythms of the ’40’s as well as the grim and persistent shadow of war. But even more vividly, it honors Taylor’s magnificent dancers. Some of the most glorious dancing to be seen anywhere…” – Laura Shapiro, Newsweek

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